Liqian
Zhang
American
Religious Texts
12/05
Buddakan NYC
Last Sunday, as my friend invited me
to an event taking place in a restaurant – Buddakan, I had my first chance to
dine in this special place. The first inducement that
makes me draw the connection between this restaurant and the
religious blog is its name. The first glimpse of the word “Buddakan” stirred up
my interest in this restaurant. Expecting the motif of Buddakan to be Buddhism,
I verified the suppose when I arrived at the place. However, such belief
tumbled when I stepped into the dining hall. And when I left the place, the
impression of fusion refreshed my understanding of the religion and culture.
Buddakan is a new American Asian
fusion restaurant located in Meatpacking district. The building,
constructed of bricks, is painted pitch black. And the small entrance is simply
a class door decorated by Chinese pane. If you are not trying to locate the
place on purpose, it will be most likely that you will walk past the restaurant
without paying any attention. The minimalism of the outlook and the classic
Asian embellishment of the construction intensified my reflection on the Buddhism
of the restaurant.
However,
when I entered the restaurant, the impression of the Asian religion was shaken
by the huge Western mural behind the reception desk. Stepping down to the
dining hall, where magnificent medieval candlelight chandeliers were hanged
from the ceiling and an exaggeratedly elongated communal table located in the middle
of the space, I almost rejected the presuppose I had made earlier. Attracted by
the bird-shape candleholders, which were coated with layers and layers of the
wax, I even had the illusion of sitting in a castle. Instead of experiencing
the minimalism of the Buddhism religion, I was devoured by the Western culture
in the magnificently decorated downstairs dining area.
As
nearly wanted to quit writing about this place, I leaned back and stretched my
torso for releasing the disappointment. What caught my eyes were all the
colorful pane, which were inspired by Asian culture, encircling the Western
style dining hall. Filled with uncertainty and curiousness, I went upstairs to
see what was laid behind the pane. To my surprise, the design of the first
floor was poles apart from that of the basement. The round, small and exquisite
tables combining with the square, graceful armchairs subtly resemble the ones
that are commonly expected in a particular classical Chinese tea house. The
overall interior design of the first floor is minimal. The pursuit of the
simple perfection of the decoration reminded me of the “detachment” and
“nothingness” of Buddhism. The feeling of visiting this section of the
restaurant could be summarized as purification, which the intricate basement
level cannot give. Probing further, I found an alcove, where a chain of pictures
of different Buddhism figures is decorating the entire wall. Finally, the
Buddhism was straightforwardly presented in front of me. At the same time, the
question of “what’s wrong with Jesus? Didn’t Jesus speak of Heaven? Isn’t
Heaven Buddha’s Nirvana” (Kerouac 114) rose in my head.
Indeed,
there is no boundary demarcating the West from the East, the Christianity from
the Buddhism. Every religion is a journey of finding the meaning. Drawn by the
name “embrace” of the specialty cocktail, I found the meaning of this trip to
the Buddakan. Religion is not to differentiate, but to embrace all
differentiations as one.
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