Whilst taking a
stroll through the Upper West Side I was taken aback by a beautiful work of art
on the corner of 73rd and Broadway. It was an intricate mural on the
sidewalk, overpowering the dirty, gray street with its with its size and
vibrancy. Apart from the piece’s large scale and animated color scheme, the two
most captivating aspects of the artwork were the Twin Towers and a large black
cross towering over them as the centerpiece. Surrounding the cross were scattered
figurines soaring up into what seems to be the sky. The details in the mural led
me to the conclusion that this piece was created as a commentary on the
fatalities of 9/11.
Thousands of lives
were lost during the September 11 attacks. The tragedy left the U.S. and the
rest of the world in grief – hence why there is a face that is filled with an
image of the earth looking away from the twin towers and the figures. The
artist of the mural approached this anguish through a Christian lens by using
the imagery of the cross, specifically a Catholic perspective because there is
a body nailed on the small cross similarly to the way Catholics depict a
crucified Jesus, closest to the largest one. Within the artwork, there are
figurines, resembling spirits, floating from the carnage on the bottom to the
sky. The placement of the spirits floating up supports the artist’s connection
to Christianity because the artist was upholding the Christian tradition about
the after life – the spirits of those who died are on their way heaven. One of
the most interesting notions about the afterlife is that its creation was for
the living – meaning, it serves as a comfort for people imagining that their
loved ones are in a fruitful and serene heaven rather than thinking of their
loved ones as merely buried corpses.
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